Advice for Art Students: Making a Portfolio

With several blogs having been made about artists who are applying to art universities/colleges, and my own experiences with art school and portfolios, I've compiled a list of (hopefully) helpful tips. If you have had any experience with making a portfolio or applying to an Art University feel free to comment and share any helpful tips you might know! Smiling

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SIX TIPS ON MAKING AND PRESENTING A PORTFOLIO

1. Know what is required of you. Some schools have a very strict outline for what they want you to include in your portfolio, others will give you more free-range. It is important to always remain within the limitations set for you by the school(s) to which you are applying!

Example: When I applied to my program, I was limited to 15 pieces + a sketchbook. They were testing me to see if I could a) be able to produce at least 15 original pieces AND b) be able to choose the pieces most applicable to my area of study.

2. Gear your Portfolio to your Desired Program. If you are applying to a photography program, it would be a very poor choice to have a portfolio made up of drawings and paintings. However you do not want to limit yourself, showing experimentation and a willingness to try new things will reflect well on you.

Example: I watched a girl's application be rejected because she was applying to an architecture program and failed to include building layouts/illustrations or general architectural studies in her portfolio.

3. Variety. Being able to show you can work in and have experimented with a variety of media as well as a range of subject matter is an important part of your portfolio.

Example: I applied to a Material Arts and Design program, meaning I make things in metal. However, my portfolio included drawings, metal sculpture and glass sculpture, to name a few. Even if the pieces weren't my best work, they showed my willingness to move beyond the limitations of my Metalworking focus.

4. Current is best. Even if you think the work you did five years ago is better than the work you are producing now, avoid including it in your portfolio. Your portfolio should be a current showcase of the art you are producing now.

Example: All the work in my portfolio had to be no older than three years, but I did take previous concepts and rework them, developing them farther and improving on the old techniques.

5. 100% You. Avoid including work in your portfolio that features copyrighted logos, characters, ex. I would strongly advise checking your school's regulations on copyrighted imagery in portfolios. Some schools will frown upon this, so to be safe, it is best to make sure everything in your portfolio is yours and yours alone.

Example: A fellow I had been chatting to after our portfolio interviews explained he'd gotten a warning for having a picture that was "too fanartsy". Again, check with your school and any policies they might have.

6. Be ready to defend your art. If you are not a confident public speaker, practice! You need to be able to answer questions about your art and explain why and how you made it. Having art that speaks for itself is great, but you have to be able to articulate as well.

Example: There is no better way of making yourself look like an idiot than by fumbling your way through what should be a simply yes/no question. If you aren't comfortable, practice; talk about your art with friends or family, get them to ask you questions!

Hopefully that helps, and again, if you are an art student or a working artist who has compiled a portfolio, share your experienced, I'd love to hear from you! Smiling
Munkel's picture

Thank you so much for this...

Thank you so much for this... seriously. It helps me a lot because I'll apply to different art "colleges" soon &hearts
It's very helpful.
Hubalaboo's picture

Thank you for this Terabetha!

Thank you for this Terabetha! You're always such a big help to the community! Smiling
eyestrain's picture

This is a very good reminder

This is a very good reminder and push in a direction I need to go, but have strayed from.

I don't strive to be the best, but instead I strive to do my best, and always give it my all every time.
-faunet

I'm glad you guys found this

I'm glad you guys found this helpful! I remember how stressful portfolio-time was for me, and I had some spare time so I figured it couldn't hurt. Thanks guys.
trigger_mortis's picture

Nice work as usual Tera! I'm

Nice work as usual Tera! I'm sure people will find this useful!
onyxsoulclaw's picture

wowow theses are great comman

wowow theses are great comman sence and very helpful , big thanks
kovah's picture

Is good advice Couple of

Is good advice Smiling

Couple of points I might add -

As a general rule art colleges appreciate a little life drawing and still life. Even if its really quite abstract, the human body is one of the hardest things to draw and to show you have attempted it tends to please them.

I applied for a course that was well out of my comfort zone and as such had 'nothing' and i mean squat all of anything they did on that course. Though i did explain in the interview that i knew i couldn't do the technical illustration on the course and that I wanted to learn how and I got on. However I found out later (thanks to an obnoxious tutor) who basically told me I wouldn't have got on if he had interviewed me. Its a big gamble that at the time i wasn't aware that I was taking.
Impact's picture

This will be very useful in

This will be very useful in the future, thanks~!
Sithrim's picture

This shall be nommed by me

This shall be nommed by me too.


#4b5160
Mordecai's picture

Definitely seconding points

Definitely seconding points 5, 6 ...2 .........3. Well just about all of them!

...Also Kovah's point about the life-drawing. I'm on an animation course atm, and having had the opportunity to do a lot of life-drawing on an art foundation* helped me both to get onto the course, and to make better animation, especially when we really started to focus on 30 second movement studies. My sister has had the same experience on her illustration course; she's said that a lot of people have already decided their 'style' before they properly know how to draw! This is probably something that varies from course to course, but personally, I've found life drawing to be invaluable.

A lot of this advice is also very applicable to professional artists too; I've been talking to my lecturers about their experiences working for different companies, and when applying to studios with a very recognizable 'in-house style', the most successful (concept/ character) artists will have a good range of working images (character turn-arounds, etc) in different 'styles'/ art-direction, but never of non-original characters in their portfolios. This was also very true of some of the student portfolios I've seen!

But anyway- Good luck everyone who's applying, thinking of applying or are already on their chosen course, and best luck for the future ♥


* It's a UK high-school/college level one-year course that gives you a pretty solid 'foundation' in art, to then go on and do a university degree. If you can do it, I would really recommend it.