Note from Author: Here's a couple of questions I want to answer because I think it may help people understand †wïlïgh†'§ ÇhïlÐ a bit more.

Naturally, if there's anything you want to ask or anything you want cleared up, please feel free to ask me.

Currently, no. The current setting is in a typical, everyday forest. While the exact location of the forest is not mentioned, it is described as being a forest located in between a mountain range and a large field, bordered with a river and a creek.

Eventually, the story will shift to the Endless Forest once the time is right.

I never specify rather or not they're real deer or flat-face. I do make references to Endless Forest masks, pelts, and antlers but I never clarify as to if they're really the deer's faces or if they're masks. I kind of leave it up to the reader to decide how they want to see the deer, though I do give the deer Endless Forest sets in their profiles to help make visualizing them a bit easier.

Yes, †wïlïgh†'§ ÇhïlÐ is about Kumiko but right now, she's only a few months old. Not much has happened in her life yet and it is the events from her parents' pasts that eventually lead up to what happens to her as she grows up. Those of you how have read her biography already know what will happen to her; you just don't know how exactly it happened or why.

That is what †wïlïgh†'§ ÇhïlÐ will answer.

There's a simple explanation for the previews: It's to help keep the readers interested in the story and make you want to read what happens next.

And no, I don't have the whole story typed up but I do have a rough idea as to what I want to happen, when it will happen, and why it happens. Of course, this is subject to change as I go on depending on how it flows and what responses I receive from my readers.

Well one of things I'd like to eventually do with my life is become a director/writer. So whenever I write, I see things very vividly and the chapters of my stories play out in my mind like scenes from a movie. Music helps to inspire me by taking me out of this world and placing me in another. So listening to certain songs can help evoke an emotion within myself that I can then use to put into the chapter.

I personally felt that Opeth's Patterns in the Ivy summed up the whole story of †wïlïgh†'§ ÇhïlÐ nice which is why I dubbed it the 'theme'. Though the 'theme' may change later on.

It is my plan to incorporate certain songs into certain parts of †wïlïgh†'§ ÇhïlÐ eventually. I have not yet gotten to a stage the story where a song fits with scenario, but when I do, I will ask readers to listen to it while they read.

Yes and no.

I say this because I don't necessarily intend to have long, drawn out conversations between characters, but I do feel that dialogue is an important element to the story. Like I had mentioned before, I visualize the story as a film when I'm writing and I'd like to be able to have the readers see the story in the same way. In film and in real life, emotions of characters aren't told by a narrator but are, instead, gathered through the characters' words, tones of voices, and facial expressions.

That is why there is a lot of dialogue in †wïlïgh†'§ ÇhïlÐ.

There is no true set goal to †wïlïgh†'§ ÇhïlÐ. I'm not trying to teach any lessons or make people think. I'm only trying to tell an entertaining, touching story of my deer persona's - Kumiko - past.

Though there is something I'd like people to eventually come to the conclusion of from reading †wïlïgh†'§ ÇhïlÐ.

Maybe you can spot it as the story progresses.

Chapter VI's main goal is the figuratively foreshadow the rest of †wïlïgh†'§ ÇhïlÐ. There's a lot of hidden meaning to it.

The three deer and raven each represent something: death, judgment, heaven, and hell. The raven of course represents death and passing into the afterlife. The old stag with a skull mask represents judgment. Nirvana, the white doe, represents heaven while Tartarus, the black stag, represents hell.

That is why Nirvana shows pity to Castor (she's good) while Tartarus is more excited by the idea of destruction (he's evil). The old stag- whom I never give a name- is in between the two. he is neutral which is why he mainly only gives out warnings and is also why Hafsa sits on his antlers; she does not decide rather a deer should be saved or be damned. She only does the job of bringing the soul to the three deer known as the Divine.